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A weekend on Sylt with Porsche and Hanna Schönwald.
We arrived on Sylt in a 30-year-old Mercedes estate. One of those cars that creaks in all the right places and smells faintly of old optimism and secondhand ambition. Hanna had been invited by Porsche to join a weekend celebration with the Sansibar on Sylt. I came along to shoot social media content and eat. Which, incidentally, turned out to be the two core pillars of the entire event.
Here’s the kicker: the real challenge wasn’t charging batteries or managing light. It was speed. Not of the cars, but of the workflow. Shooting and editing real-time social content at a brand event like this forced me to shift gears: From overthinking every edit to delivering finished assets while the moment was still happening.
Is that a Dakar in the background?
Sure, I could’ve taken a week crafting the perfect 90-second cinematic recap. Maybe it would’ve even gotten 12 views. But that weekend taught me something crucial about relevance in digital storytelling: If you want to stay relevant, fast has to become your new default. Fast without losing quality. That’s the new standard. And if you’d told me back then that panic-posting Instagram Stories from Sylt would one day lead to running a social media agency? I would have laughed. Mid-oyster.
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Acht Projekte im Detail: was wir gemacht haben, wie wir vorgegangen sind und was daraus entstanden ist.
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Kleine Crew, kurze Wege, keine Zwischenrunden. Du arbeitest direkt mit den Leuten, die drehen: vom ersten Setup bis zum finalen Cut. Reisen inklusive, Kaffee auch.
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Schreib uns, was du drehen willst, oder ruf einfach an. Zwei Sätze reichen: Was, wann, wo. Den Rest klären wir am Telefon.
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